Then
one Bluebird regular by the name of Michael Knox with Warner Chappell Publishing
challenged her to show him her songs.
The sort of woman who can’t turn down a dare – especially a
career-turning one – Leigh unveiled some of her work and soon found herself a
publishing deal.
Though
Leigh’s talent for song craft paid off (She co-wrote “I Want To Feel That
Way Again” a Top Five single for Tracy Byrd, that stuck to the charts for some
278 weeks), she viewed this phase as yet another learning experience.
“Songwriting is a very important form of expression for me, no doubt
about it,” she explains.
“But what drives me, what burns in my soul, is live entertainment.”
She
continued honing her sound and her style, ultimately a demo that met with her
satisfaction – and led her to her singing with Decca Records in 1998.
After many years of watching and learning, tears and prayers and good
old-fashioned talent and hard work, it appeared that the singer had finally
realized her dream.
But Danni’s joy was short-lived when a corporate merger forced Decca to
fold. Needless
to say, the label closing came as a crushing disappointment for the singer who
had only released one single from her long dreamed of album.
“We
cut the album 29 Nights and we got one song out – and then the damn this
closed!” Leigh
says, referring to the infamous Universal Records merger that folded label like
a house of cards.
“I’m not a weak person,” she continues, “but I tell you I was
desiring a beverage that day!
When everything you always wanted in life is yanked out from underneath
you, it’s pretty scary.”
But
Leigh wouldn’t stay down for long.
Shaking off her setback,
Leigh
was soon welcomed to the Monument Records roster.
Richard Bennett and Emory Gordy, Jr. – the production team behind Steve
Earle’s much-heralded Guitar town disc – came aboard to co-produce A Shot of
Whiskey & A Prayer.
“Those two men have made some of the best records ever,” Leigh says.
“I feel like I have lucky charms hanging all over me.”
While it took time for Leigh to select songs (three of which she
co-wrote), the recording process was lickety-split.
“The whole thing was done on what I call ‘spot-a-newity,” she says.
“When we’re in there, be sure to press that record button because we
were going to get these songs right the first time.”
Get
them they did.
Now that it’s done, Danni Leigh is raring to get her act on the road.
“I was born this way and I walk on stage the way I was born,” she
shrugs about her high-energy, edge presence.
“I’ve always had the ability to move, was always the first one on the
dance floor in high school, always the jockette – and also the hell-raiser,
too.”
Danni
Leigh is equal parts poet, fearless entertainer, sexy chanteuse and rebellious
non-conformist.
She is an artist who infuses her music with all the passion and
conviction of someone who can give no less that her all.
And that unique artistry is in force on A Shot of Whiskey & A Prayer,
a refreshing sound from a singer with a talent as big as her musical dream.